AI summary
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Producer Jiang Chengcheng, who had worked on Jay Chou’s films, moved into AI film and television. He founded film festivals and awards in Los Angeles, attracting creators from 85 countries to participate and emphasized that humanity, creativity, and social responsibility must be retained in AI works.
attendedJai Chau David Johnson, the creator of the films “Rooftop” and “The King”, has actively invested in the field of AI film and television in recent years. The “LA AI Film Summit” and “Tyrannus Angel Awards” founded by him were held on October 24, US time.los angeles City Club Los Angeles made its grand debut and attracted creators from 85 countries around the world to compete.
Jiang Bingcheng, who has 30 years of experience in film and television, is currently the CEO of Leading Cultural and Creative Co., Ltd. and President of Taiwan IP Development Association. In the past, he was the right hand man of King Jay Chou from Taiwanese movies.Hollywood And now it has expanded into the new world of AI film and television.
He observed that generative AI is spreading around the world, and the traditional film and television industry is experiencing tremendous change. In particular, actors’ job opportunities and film and television production models may be affected, which made them determined to invest in this industrial revolution. He even bluntly said that many AI movies today are full of plagiarized content, especially in the Asian market where there are many IPs that have been remade repeatedly. The stories lack innovation and even these are filled with bloody plots and obscene images, which he deeply regrets.
Therefore, they hope to truly encourage AI video works with emotional, creative and humanitarian significance by establishing the “Trano Angel Award”, proving that AI is not just a tool to show off skills, but can also bear social responsibility and tell touching stories!
Jiang Bingcheng chose to directly enter the United States this time, connecting Silicon Valley’s AI creative power with Hollywood’s mature film industry system. He hopes not only to connect Chinese film and television creators to international standards, but also to establish a new gateway for international cooperation and exchanges.
The first “Tranu Angel Award” attracted competition from creators from 85 countries around the world. 35 selected works were officially announced. The winning works came from the United States, China, India, the United Kingdom, Tunisia, Ukraine, Australia and elsewhere, demonstrating diverse aspects of AI image generation across national boundaries. Jiang Bingcheng also personally serves as the founding judge, working with film and television professionals such as Liu Dawei and Ming Pan to review outstanding works.
The most poignant of them is an award-winning work depicting daily life under war in Ukraine. The creator used AI images to present the situation of life during the war, and was recognized for his touching story. However, the organizer revealed that since the work was shortlisted, they have been unable to contact the author, and they still do not know his current status, which made the team very worried.
This episode made Jiang Bingcheng more convinced that no matter how advanced AI technology is, what can really impress the audience is the humanity, emotion and life story behind the work. In fact, Jiang’s AI ambition is not just to establish a film award. He also hopes to shoot film and television works with “hybrid performance of AI and real people” in the future, integrating new technologies with professional actors instead of replacing real people with AI.
Summary FAQ
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They saw that generic AI was changing the film and television industry and could impact actors’ work and production models, so they decided to invest in this revolution and hoped to respond to the market with more emotional and creative works.
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He led the creation of the “LA AI Film Summit” and the “Trano Angel Awards”. The first event was held in Los Angeles, attended by creators from 85 countries around the world and announced 35 selected works.
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He believes that AI should not just replace real people or create repetitive content. In the future, he hopes to shoot film and television works that combine AI and real people, so that new technology and professional actors can complement each other to tell truly moving stories.
