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Yang Zi wore two sets of haute couture at the Vogue Gala. Her contrasting red carpet look and swan-yellow skirt on the court received mixed reviews. Some netizens criticized her, while fans pointed fingers at the beauty of the studio.
The VOGUE Fashion Power event kicked off at Suzhou Garden on October 23. The scene was star-studded, but there were also frequent rumors of a style change, including for the actress who won the Magnolia Award at this year’s 31st Shanghai TV Festival.yang zi . Yang Zi wore two haute couture sets at the VOGUE event, and her style received mixed reviews. The contrasting colored models were praised for being in line with the show’s “surprise” theme, but criticized for looking bloated. Some netizens said that the swan-yellow dress looked like a maternity dress or nightgown. A large number of fans took to the studio’s comment section to express their dissatisfaction and demanded a change in the styling team.
According to NetEase report, Yang Zi changed into two haute couture sets belonging to RVDK and Givenchy at the VOGUE ceremony. The main dress on the red carpet is Ronald van der Kemp’s 2026 Spring and Summer Haute Couture. It is made of layered and stretched pleated tulle in pink, yellow, red and purple. It is worn with a red sequin skirt, pomellato high-end jewelry, red patent leather heels and pink and purple streamers hanging down. In the picture, her entire body is toned, glowing, smart and energetic. The overall design adopts bright and vibrant contrasting colors, which are supposed to reflect the “surprise” theme of the festival.
In the interior courtyard, she changed into a Givenchy goose yellow mesh dress, paired with pomellato high-end jewellery. It looked clear and soft, in contrast to the strong contrasting colors on the red carpet. Yang Zi attended the event as the spokesperson for Givenchy ready-to-wear. The yellow dress is also part of the brand’s existing range. In the interview, she explained that the dress fit the theme of the day and was comfortable to wear. She also said, “VOUGE’s red carpet is quite bumpy today and wearing high heels can be quite dangerous.”
However, the two sets of looks have received mixed reviews. The contrasting color model has been praised for being in keeping with the “surprise” theme, but has also been criticized for looking bloated. The swan-yellow skirt was called a disaster scene by some netizens, and was criticized as “waistless” and “like a nightgown at home.” Her hair was still open, and when she raised her hand, the edge of the skirt moved, and the shoulder area looked thick. The barrage in the live broadcast room was very strong, and some people directly typed: Worse than maternity clothes, both sets were popular; But some netizens thought it was gentle and comfortable, and the situation was natural.
Fans who were dissatisfied with the style pointed the finger at Yang Zi’s studio, criticizing the style as being disorganized, the background of the paintings being white, and the aesthetics being poor. Some fans said that Yang Zi participated as a Givenchy spokesperson and Magnolia Queen. She was VOGUE’s first official solo guest and second appearance. She was sitting in the main area in front of editor-in-chief Liu Chong. As a result, this was her first official appearance at a fashion festival. Something somehow went wrong. Many people left messages in the comment area asking for the styling team to be changed.
Summary FAQ
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She successively wore RVDK’s 2026 Spring and Summer Haute Couture red carpet main dress and Givenchy’s goose yellow tulle long dress. The former adopts a multi-color contrasting route, while the latter has a clear and soft infield shape.
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The contrasting color style on the red carpet was considered to be in line with the program’s “surprise” theme, but some felt it looked bloated. The swan-yellow skirt was criticized for looking like a nightgown or maternity dress, but some people liked its comfortable and natural position.
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Fans believed that the studio’s styling preparation was sloppy, the backgrounds of the images were dull, and the aesthetics were out of place. She also questioned Givenchy’s failure to reveal her identity as a spokesperson and the Queen of Magnolia, so she sought to replace the styling team.
